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2025年12月18日 星期四 13:00 - 19:00
2025年12月19日 星期五 10:00 - 18:002025年12月20日 星期六 10:00 - 18:002025年12月21日 星期日 10:00 - 18:00
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地址
广州·琶洲 海珠国际会展中心L1展览馆，广州市海珠区新港东路630-638号
艺术家
埃里克·扎特奎斯特 Eric Zetterquist
万一空间荣幸参加2025「魔灯当代」艺术博览会，于“影像视界 MOMENT”单元呈现阿努帕姆·迪万 （Anupam Diwan）、埃里克·扎特奎斯特（Eric Zetterquist）和覃小诗（Qin Xiaoshi）的精彩作品。阿努帕姆·迪万 （Anupam Diwan）热衷于观察自然与土地之间的关系，他对光影的细腻把控，聚焦在那些渺小却无虑的生命形态，以及日常中纤微的诗意，在此过程中延续家庭、记忆与个人经验的并行叙事。埃里克·扎特奎斯特（Eric Zetterquist）以古陶瓷为对象，以精致的抽象语言捕捉其纹理与形态。他将此系列视为“中西合璧、新旧交汇”的研究，融合硬边绘画技巧与高度提炼的宋瓷轮廓，同时延伸至宋代山水的审美取向。而在覃小诗（Qin Xiaoshi）的作品中，耳痕、雨破海面、山峦成伴、松枝置于景屏等浪漫意象相继浮现，她在⾃然风景间狩猎物件，将亦幻亦真的所得⽤实验性材料与媒介再次呈现。无论是彼时土地的记忆、古瓷的切影，或是薄雾散落的自然光景，他们的实践皆延展了“影像”一媒作为记录、见证与再创作的无限可能。借由镜头的视角，今往与虚实显影，以思考去真切地感受世界之深度。白瓷透雕莲花文盆台 Flower pot stand with carved floral design, joseon period 1392-1910 A.D., Korea埃里克·扎特奎斯特 Eric Zetterquist收藏级颜料打印 Inkjet print on archival paper
阿努帕姆·迪万（Anupam Diwan)，1993年生于印度恰蒂斯加尔邦，热衷于自然与土地的关系，同时反思家庭、记忆与个人经历的并行概念。他曾在南亚孟加拉媒体学院的国际学期项目中学习摄影，作品曾于新加坡、印度、中国、柬埔寨等地展出。在2020年世界新闻摄影基金会的乔普·斯瓦特大师班项目中被提名。
家乡的环境影响了阿努帕姆，他一直寻觅着混乱中的熟悉之事，致力于消解分隔生活的文化和地理边界。作品中呈现出诗人般的胆怯与浮华，透露着对光与影、现在和过去、现实与虚构的思考与探索，对变幻⽆常的⽣命迹象的温柔与悲悯。在这⾥，碎片式的记忆是黑暗而彩色的，让我们思考过去并真切地去感受当下。
Anupam Diwan, born in 1993 in Chhattisgarh, a state in central India, he is fond for exploring the relationship between nature and the earth. At the same time, he rethinks the parallel conception of family, memory and personal experience. Educated in Pathshala South Asian Media Institute in Dhaka (Bangladesh), he has hold exhibitions in Singapore, India, China, Cambodia. In 2020, he was nominated for World Press Photo Foundation’s prestigious Joop Swart Mastercalss.
The environment in homeland has influenced Anupam, where he has always been seeking for familiar stuff in chaos and has Involved in dissolving the geographic boundaries that divides life culture. His work presents the timidity and vanity of the poet, revealing his thought and discovery for light and shadow, present and past, reality and fiction, and tenderness and compassion for capricious signs of life. Here, fragmented memory are dark yet colorful, making us think about the past and truly feel the present.
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万一现场 | 展览「函三」开幕
埃里克·扎特奎斯特（Eric Zetterquist，1962- ）曾在日本艺术家杉本博司（Hiroshi Sugimoto, 1948- ）麾下一边工作一边学习现代摄影与东方古典艺术近十载直至 1992 年。如今，他常驻纽约。"物体肖像（Object Portraits）”主要着眼于对古陶瓷的肖像描绘，并以一系列高度精致的抽象手法表现古陶瓷细节。扎特奎斯特将这一系列作品描述为 "中西合璧、新旧交汇 "的项目，其中涵盖了硬边绘画技术（Hard Edge）和高度概括后的宋瓷造型元素等灵感。倘若再进一步，其中还有宋代山水画的审美取向，而另一些作品则让人联想到亚历山大·考尔德（Alexander Calder，1898-1976）所代表的现代主义构成风格。
1992年他在纽约成立了“Zetterquist Galleries”，专门经营中国艺术品和陶瓷艺术品。扎特奎斯特的摄影作品曾在大阪市立东洋陶瓷美术馆、费城艺术博物馆（2014年）、曼谷东南亚陶瓷博物馆等地展出，他的专著《Object Portaits》由美国Nazraeli出版社于2018年出版。Eric Zetterquist (1962- ) studied contemporary photographic expression and oriental antique art while working for Japanese modern artist Hiroshi Sugimoto (1948- ) for 10 years until 1992. Today he is based in New York. “Object Portraits”, mainly portraits of antique ceramics, is a series of highly sophisticated, abstract expressions of the details of antique ceramics. Zetterquist describes this series as an “East-Meets-West and Old-Meets-New” project, and mentions that he was inspired by hard-edge artworks and Song ceramics. In fact, some of his works suggest influence of Song landscape paintings while other works are reminiscent of modernist composition as exemplified in Alexander Calder (1898-1976) ’s works.
In 1992, he established Zetterquist Galleries in New York, specialising in Chinese art and ceramics. Zetterquist's photographs have been exhibited in The Museum of Oriental Ceramics, Osaka (2018), Southeast Asian Ceramics Museum in Bangkok (2016), Philadelphia Museum of Art (2014) and so on, and his book Object Portraits was published by Nazraeli Press in 2018.
相关阅读：
新展预告｜如上，即下 As above, So below
展览现场｜如上，即下 As above, So below
万一对话｜埃里克·扎特奎斯特：将自然世界之美融入万物
覃小诗，1989年生于广州，现工作和生活于广州。近年来艺术家在自然风景间狩猎物件，野史，传说，图像。她把这些亦幻亦真的所得用实验性材料与媒介再次呈现，部分重新藏于风景之中，完成与风景的以物换物。这些故事主要关于珠江出海口的本地传说，历史，华南海盗以及他们的藏宝处。艺术家过去关注的题材包括关于通过辩论预测未来，声音武器，以及末日准备者。2014年开始，她邀请专业获奖高中辩手在纽约皇后美术馆，纽约犹太美术馆等辩“2020年当代艺术是否会存在”（2014）“AI 是否能成为艺术家”（2016）等议题。她与陈思颖合作研究公共空间中的声音，2019年获得时代美术馆支持赴哈瓦那驻地并举办展览，后在柏林Savvy Contemporary呈现创作。2015年于哥伦比亚大学取得视觉艺术硕士学位并获纽约莲花基金会奖。Qin Xiaoshi (b. 1989, Guangzhou). Currently lives and works in Guangzhou. Graduated from Columbia University with a MFA in Visual Arts, 2015, and received a Lotos Foundation Prize, nominated by Sarah Sze, at the same year.In recent years, the artist has been hunting for objects, folklore, legends, and images in landscapes. She then presents these material/immaterial, fictional/nonfictional findings with experimental materials and medium, sometimes hiding these art pieces back in the landscape, completing a cycle of exchange using objects as messages. The stories she collected are mostly about local legends, history, Southern China pirates, and their treasures hidden around the Pearl River Delta.Her previous works include topics such as predicting the future through debate, sonic weapons, and doomsday preppers. Beginning in 2014, she invited award-winning high school debaters to debate on topics such as "Will there be Contemporary Art in 2020?" (2014) and "Can an A.I. Be an Artist?" (2016) at the Queens Museum and the Jewish Museum in New York. Her works have been exhibited at Kunstmuseum Wolfsburg (Germany), Savvy Contemporary (Germany), basis e.V. (Germany), Asia Society Hong Kong Centre, Taikang Space, Para Site, Long March Project, Vancouver 221a, UCCA Dune Art Gallery, among others.相关阅读：
新展预告 | 「月海」Lunar Maria
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2025「魔灯当代」艺术博览会将于12月18-21日再次亮相广州海珠国际会展中心。第四届「魔灯当代」秉承“深耕湾区，连接世界”的策略及愿景，进一步整合湾区资源、拓宽国际视野，以更成熟的内容布局呈现全新面貌。作为扎根湾区的当代艺术平台，「魔灯当代」将持续推动区域内外多元合作，以更开放的平台架构连接全球视野、促进本土收藏力量的发展。
万一空间是由三位90后艺术从业者在深圳创立的艺术空间。其诞生于疫情席卷全球的2020年，在后疫情时代涌现对艺术与生命的全新思考。空间致力于消解当代与古代的边界，融合美学研究逻辑下的现当代与古代艺术，构建一个不同国家、时期和形式的艺术在同一语境下共容的场域。W.ONESPACE is an art gallery founded in Shenzhen by three Generation Y art practitioners. It was established in 2020 during the outbreak of the COVID-19 pandemic. New perspectives on art and life have emerged in this post-pandemic era. W.ONESPACE aims to melt the boundaries between present, future and the past by mixing contemporary and ancient art under the logic of aesthetic research, thus bringing together arts of different countries, different periods and different forms to interact and express in unity as ONE.
weonspice为一个灵感、冲动和际遇碰撞交错的实验场，这里有灵机一动、不切实际或偶尔严肃的思考和行动。
