作品“旋竹”以其名点睛，生动凝练地概括出整体的视觉形态与内在精神。其造型仿若一丛青竹破土而出，并非静止直立，而是充满动势地螺旋攀升，线条流畅而富有韵律，犹如自然生长中积蓄的生命能量缓缓释放。这种旋转上升的姿态，不仅在外观上模拟了竹节生生不息的生长轨迹，更深层地隐喻了竹之坚韧——在风雨中屈而不折，在压力下蓄力向上，彰显出一种内在的、蓬勃的顽强生命力。

《众妙之门》取意老子《道德经》"玄之又玄，众妙之门"，以东方哲学为根基，将传统竹工艺与当代交互科技融合，创造一座连接"呼吸"与"光"的诗意界面。作品借鉴中国传统牌坊的门形意象，以层叠竹片勾勒出纯净肃穆的拱门结构。中央镂空处如同水滴洞穴，象征"玄牝之门"——天地生化之始，生命能量的出入口。

以竹梯为骨，张挂光伏为帆，构筑一座与自然共栖的光之舟。设计将两把人字竹梯倒置固定，形成支撑结构与坐凳系统。顶部的柔性光伏布，以“帆”的形态张开，是设计的核心：它将阳光转化为电力，并非为远方输送，而是悉数储存，用于在日暮时分，点亮这方小小空间自身的灯光。人坐于其下，面水临风。白日，光伏帆提供荫蔽；夜晚，它用白天收集的能量，从内部发出温润的光，成为岸边的灯塔与标识。风动帆影，鸟栖横档，整个结构以一种静谧而自足的方式，与环境和鸣。这不仅仅是一个休憩设施，更是一个完整的能量循环演示：它用最朴素的材料与最直接的技术，实现了一方空间的能量自主，在河岸边创造了一个独立、静谧而又温暖的光之栖所。

Bamboo Theatre for Gods-Reward Opera(shen gong xi peng,“神功戲棚”in Chinese)isa traditional temporary theatre paradigmspread in Macao for celebration during folkreligious festivals. Instead of being built ashighly articulated and permanent structurelike any other theatre buildings, theatres forgods-reward opera are temporary theatresthat only exist for several days a year and canbe quickly built and dismantled. To achievethe unique features of such temporary the-atres, bamboo and wood are mainly used asconstruction materials due to their lightweight and flexible nature, plus their ecological and economical sustainability, hence the name“bamboo theatre for gods-rewardopera”.

Flow of Nature draws inspiration from the continuous, organic movements of nature-the flowof water, the whisper of wind, and the rhythm of waves. These elements embody both softnessand strength, creating a harmony between serenity and dynamism. Beyond providing shadeand shelter, the design encourages moments of pause, reflection, and engagement with thesurroundings.

Located in the Nansha Waterbird Park, this design drawsinspiration from the form and lightness of bird feathers. This concept istranslated into a unified structure that synthesizes multiple functions-interactive installation, a shelter, seating, and a landmark. Through aminimalist formal language, an economy of materials, and a reductionof structural joints, we have realized a design that is both poetic andpurposeful.

This concept reflects the natural cycle of human existence: being iborn, living, and finally returning to silence. Each phase is interpret-ed through a minimalist approach -reducing forms, materials, and !elements to their essence. “Less is more" becomes the main phi-losophy,where simplicity reveals depth and meaning.

From a single complex form, simplicity emerges through repetition.Reverberate embodies the dialogue between one and many-how structure, reflection, and rhythm create harmony within space. The bamboo modules,arranged in a pentagonal order, echo one another like gentle ripples, forming aunified whole that reflects both nature's order and human stillness.

Go "CRAWL" is the defining action-the way to experience this bamboo structure in its most minimalist, pure form.Our desire is to carve out a space where children can go "CRAWL" their way back to the childhood of pastgenerations. lt is a place to fully immerse in nature, to climb, run, and jump with carefree innocence, reforginghuman connections in a world that is becoming increasingly hurried, confined, and suffocating with pressure.

The bamboo installation reinterprets traditional craftsmanship throughparametric design, using four conically bundled radials that taper upward.It harmoniously merges structural logic with organic rhythm; stabilityis ensured through the use of bamboo and modular joints. Light seepsthrough the gaps, casting a flowing shadow inside, thus creating a poetryof space. lt bridges traditional materiality and digital design with a vision fora sustainable future due to scalable and adaptive modules.

主办方

华南理工大学建筑学院

南沙水鸟世界生态园

指导单位

广州市住房与城乡建设局

广州市林业和园林局

支持单位

广州市南沙区文化广电旅游体育局

广州南沙经济技术开发区港澳合作事务办公室

南沙区万顷沙镇人民政府

中国乡村建设高校联盟

广州市林学会

东南亚设计师联盟

广州市创意文化协会

广州市南沙区服务贸易协会

马印泰景观工程有限公司

协办单位

马来西亚拉曼大学

印度尼西亚瓦玛德哇大学

泰国清迈大学

老挝国立大学

越南河内土木工程大学

香港城市大学

澳门科技大学

澳门城市大学

澳门圣若瑟大学

竞赛组织协助

青竹智汇

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图文 / 华工建院学术创新部 新媒体宣传部

编辑 / 张国翕 王宇婧

初审 / 张国翕 张晗

二审 / 简子涵 周恒洋 钟冠球

终审 / 陈莹

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